Happy New Year, folks! The Hotel is settling into the New Year with little fanfare. Mr Bennet remains at his post behind the hotel desk and helps check guests in and out daily. The Hotel continues to hustle and bustle and nothing seems to be going too awry beyond the usual shenanigans. In fact, one might even call this the slow season for the Hotel.
THE FLOOR IS LAVA
That is until the second week of the month where the intercoms start with Mr Bennet's pleasant voice coming through.
"Hello, hello! This is just a small warning that one of our floors, the current 79th floor to be exact, has had a small... malfunction, I suppose, and will be affecting the other floors of the Hotel. No word yet from maintenance when this will be over, so stay on your toes, my dear guests!"
And that's it. No indication of what the problem is, or anything like that. It's up to you to figure out what's going on! And what is going on? Well, it'll become obvious very quickly when wherever characters happen to be in the Hotel, they'll soon start feeling a very obvious warmth on the floor below them. It'll increase the longer they stay standing in one spot until it's almost burning their feet.
The only salve for this will be hopping onto a nearby piece of furniture and getting their feet off the floor. It'll soon become obvious that the entire Hotel has been wrapped in a game of The Floor is Lava, including the floor turning into actual lava on some of the floors.
SAFETY SLEEPOVER
Of course, the Hotel is not cruel enough to make the entire Hotel unsafe and soon enough Mr Bennet's voice will come through on the intercom again.
"For those looking for respite from our current Hotel wide game," because clearly it's a game now. "We'll be serving tea and cake in the lounge on the ground floor. Maintenance has been able to fix the lounge for now so feel free to come by when you can if you'd like to rest. We have sleeping bags!"
As folks enter the lounge, they'll find that Mr Bennet is true to his word. The lounge has been converted into a giant sleepover, with sleeping bags lining the floor and a long table off to the side where people can eat their tea and cakes. Mr Bennet is near the food table, handing out pajamas, toothbrushes, and sleep masks to those who request them. There's some new doors off to the side leading to some restrooms, at least, so guests can change in private.
Though, one thing to point out is when Mr Bennet says there's tea and cakes, the cakes happen to be lava cakes. He thinks he's funny.
THE FLOOR IS ICE
It'll take about two days for hotel maintenance to fix the Hotel and return it to normal. So that's two days of living out of the lounge or hopping around the Hotel to get places. What a headache. Mr Bennet will make another lively announcement on the intercom.
"We are back in business, folks! I've just been given word that everything should have return to normal now. Though, there is a warning to make sure not to walk around barefoot for at least another day or so while the Hotel settles. Thank you for your patience!"
What that means becomes obvious soon as anyone walking around now will feel that the floor is especially cold. That's a bit better than the heat, at least, but still kind of a pain in the ass. Anyone who tries to walk around barefoot will find that their feet quickly start to freeze but any permanent damage is easily avoidable by putting on some socks or getting off the floor entirely.
Though that said, the ice does lead to some furniture sliding around and even with shoes on, characters might find themselves sliding too.
What a lovely end to the holidays.
no subject
How is that crass? It's true.
no subject
[ Sprezzatura Vaux doesn't make people happier. not for very long, at least. ]
no subject
It's not. It's true. [He repeats himself again, seeking her gaze.] I haven't felt like this in a long, long time. And it's all because of you. I don't see how that's supposed to be "ridiculous."
no subject
no subject
Even so, this assumption couldn't be farther from reality. This isn't something something that'll fade with time. He's taken it to the opposite end -- he's engraved her presence into both heart and mind and likes the shapes the scars have made. Indelible.]
I told you before, I don't intend to go anywhere. [She is... stuck with him now. Sorry.] I'm not just here because I'm having "fun." You understand me better than anyone else. I don't feel like it's only me against the world when I'm with you.
no subject
I know almost nothing about you. Or you about me.
[ and that's why it can be fun. because all the ugly bits have been shorn away. ]
1/2
...But she doesn't know the rest.
How he struggled after he moved to Hawkins. The true horrors of the twenty years in that lab. His brothers and sisters, their bodies dead but their memories and powers existing still in his mind. Eleven's betrayal. The true shape of his body, malformed during his banishment in that other place.
The things he did, for four years, trying to claw his way back. The people who died. Horribly. The portal rent across the whole town...]
no subject
A silence passes. Then-]
I wouldn't turn away from you, no matter how difficult you think you are. Do you think you'd give me the same chance?
no subject
she can't make herself move away. the undertow has her. ]
I couldn't say.
no subject
That just means he has to present one little fragment at time.]
Ha. At least it's not a "no."
[He smiles. It'll have to do.]
I think, though... that we should start with something simpler, but pretty important. I've been considering it for a little bit, now.
You should see what I really look like. Make sure you don't go running for the hills. [He jokes, but..........]
/2
no subject
she'd forgotten. ]
It isn't that bad.
[ is it? ]
no subject
I don't think it is.
[HE'S BIASED]
But it's only fair that you see it eventually, right? I can show you now, if you want. An illusion, of course, since I can't change back willingly.
no subject
but hey! at least she's not thinking about licking his tears anymore. ]
I suppose I should see. And know.
the way i'm still linking you even tho you're canon familiar
[Casual, as though this isn't something that might send her flying out the door and into the lava -- he hopes against hope that isn't the case. And yet he knows how visceral anything from that plane can be, himself included. He's used the fear it incites in others to his advantage more than once.
Well. Nothing to do than to try, and see how she takes to it.]
All right, so... look... right there.
[He gestures to the far end of her room, which is suddenly no longer her room, but the dark, isolated, cobwebby clearance of a ruined attic, entwined with strange dark vines. Little beams of moonlight sluice through the slats of the roof and the dusty panes of a window.
But it's not completely isolated, of course.
He ushers forth the illusion of "himself" in his true form, posed in a kneel as the many vines rise and latch onto Vecna's back. With a wet sound, they connect with his sometimes-pulsating flesh and lift him up high -- like a spider at the center of its web.
And like this, the mystery of Henry's shadow is a mystery no longer. His form matches the silhouette she would have seen back then. The tendrils, the larger frame, the clawed, almost gnarled left hand. He seems to be in a trance, like this, but his... everything prevents it from being a truly tranquil scene.
There's something to be said about the fact that he thought she'd take this better at a distance, rather than up close, anyway.]
WET MAN
that figure is a lich.
Henry is a lich.
Henry is Vecna.
she'd flinch back, but she can't. she can't move at all. she can only breathe, coming faster and faster and faster as the scene plays out. ]
POINTS
And he's watching her reaction carefully, too. Of course she'd be afraid, even when he's trying not to specifically strike fear into her; what sense would that make? But nothing about what he looks like is calming, or doesn't send the imagination wheeling. There's no hiding what that place turned him into: a monster.
And that's fine.
He just needs to acclimate her to this reality. Gently.]
...Do you want me to end the illusion there?
no subject
this whole time, she's been touching a lich? kissing, holding, being intimate with—?
her mouth works silently; she's not sure what she wants to say. her voice is frozen, too. "yes" seems safe. ]
no subject
Fun fact, the Vecna hanging from his "web" still has a little 001 tattoo, too, in the same place. Though perhaps that's hard to notice from back here, on the bed.
He dismisses the illusion just to be safe, and it disappears in a wisp. Her room returns to normal.]
...No matter what I am, I'm not going to hurt you, you know.
no subject
Why do you go straight to "hurt"? [ words suddenly pouring from her mouth ] You—you have no skin.
no subject
And why DID he go straight to “hurt.”]
Well. You saw what I looked like.
[And yeah, no skin.]
That place changed me. Completely. All the creatures there are like that — cold, and smooth, and… [slimy, just say slimy] …slick.
no subject
no subject
Being connected to that dimension amplifies my powers. It helps me reach out, even into my “home” plane.
no subject
Like that? Mammon, you looked like spider. Is that intentional?
no subject
He shouldn’t smile at the comparison, but it’s Henry, so of course he does.]
It just turned out that way, but I thought so, too. Fitting… like being at the center of the web, feeling every reverberation in that place.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)